How to make a rexv2 type beat that holds up next to "heart"

Video: [free for profit] rexv2 + waera + maajins type beat "heart"

Oct 20, 2026 · based on the channel xhaji

A rexv2 type beat is a dark, melodic underground instrumental built on minor-key loops, distorted 808s and clipped rage-style drums, made so an artist can rap or sing over it without a lease for YouTube and SoundCloud. The fastest route is to copy the architecture of a reference like xhaji's "heart" — loop first, 808 pattern second, drums last — then flip the melody and drum placement so the result is yours. Production notes, key and BPM for the reference are available through the producer's Instagram page, where xhaji posts beat previews and contact info.

What defines the rexv2 type beat sound

rexv2's lane is defined by contrast: soft, reverb-soaked melodic material on top and aggressive low end underneath. The melodic side leans on detuned keys, bell or pluck presets, airy pads and a little tape or vinyl noise; the rhythmic side leans on 808 slides, hard-clipped kicks and hats that sit loud in the mix. Vocals from this scene are usually loud, wide and slightly distorted, so the beat has to leave a clear midrange pocket — roughly 1 kHz to 4 kHz — for the artist to occupy.

Structurally, these beats are short-loop driven. A typical arrangement runs an 8-bar intro, 8-bar verse loop with the 808 muted or filtered, a hook where everything opens up, and a switch-up section near the end. Ad-libs and vocal chants are often baked into the reference beats as texture, which is a useful trick: it makes an empty instrumental feel finished.

Adjacent searches — osamason type beat, ken carson type beat, 1oneam type beat, okaymar type beat, boolymon type beat — describe the same family of instrumentals with different accents. rexv2 sits closer to the melodic, sample-adjacent end than to the purely percussive end.

Build the beat in four steps

1. Set the session. Pick a tempo in the 140–160 BPM range and work in half-time feel, so the snare lands on beat 3. Choose a minor key; harmonic minor and natural minor both work, and a raised 7th in the melody adds the tension the style relies on.
2. Write the loop first. Start with 4 to 8 bars of melody — a two- or three-note motif repeated with slight variation beats a busy melody. Layer a pluck or bell an octave up, then low-pass the whole group and add reverb with a long decay. Bounce the loop and treat it as a sample: pitch it down a semitone or two and add saturation.
3. Design the 808 and kick. Program the 808 in the same key as the loop, with slides into the root on the last beat of each phrase. Use a short, punchy kick layered on top, and sidechain or manually cut the 808 where the kick hits so the low end does not smear. Keep the 808 mono.
4. Add drums and arrangement. Hats in triplet or 16th rolls, a snare or clap with a short tail, and a clipped drum bus. Mute the 808 for the first bar of each verse, drop the melody out for one bar before the hook, and add one switch-up — a filter sweep or a half-tempo breakdown — to keep a two-minute song from looping dead.

Mixing and vocal space

Mix the instrumental so a loud, distorted vocal can sit on top without fighting the melody. Cut the melodic layers around 2–3 kHz where the vocal presence lives, high-pass pads and reverbs so they do not muddy the low mids, and keep the 808 and kick as the only elements below roughly 60 Hz. Put a limiter on the drum bus for the clipped, loud character this scene expects, but leave 3–6 dB of headroom on the master so the artist's engineer has room to work.

If you plan to send the beat to artists, export two versions: a full mix and a version with the melody muted in the first verse, plus a 30-second loop for previews. Name files with key and BPM in the filename — artists and managers sort through dozens of beats a day and will skip anything they have to open to identify.

Free for profit rules for a rexv2 type beat

Free for profit means the producer allows non-exclusive use with no upfront payment and lets the artist keep 100% of the revenue from YouTube and SoundCloud uploads. The conditions on xhaji's "heart" follow that standard: use the beat without a lease for YouTube and SoundCloud, buy a lease before distributing to Spotify, Apple Music and other streaming platforms, and never register a copyright claim on the song unless exclusive rights were purchased — otherwise the release gets hit with a complaint.

In practice that means three habits. Keep the producer's credit in the description. Save the purchase receipt or the free-download confirmation, because platform disputes ask for proof. And check whether the free-for-profit terms cover monetization on every platform you use, since some producers limit it to specific ones. The paid lease and the key/BPM details for the reference beat are listed on BeatStars.

Common questions from producers and artists

Most confusion around this style comes from three places: whether a beat is actually usable for free, how closely a type beat should copy its reference, and how to get a beat in front of artists.

On legality, the answer is to read the producer's terms before uploading, not after a claim arrives. On imitation, the useful rule is to copy structure and energy, not melody: take the arrangement, the drum density and the mix character, then write an original loop. Copying a melody bar-for-bar invites takedowns and, more practically, makes the beat interchangeable with the reference.

On reaching artists, short previews with key and BPM in the title, a clean loop, and a public contact channel work better than long emails. Producers in this scene often publish a Telegram or Instagram handle for exactly that purpose; xhaji lists Telegram alongside the Instagram page.

Useful links

• Instagram, producer contact and previews: https://www.instagram.com/xhaji.evx
• BeatStars, lease purchase plus key and BPM: https://bsta.rs/VE6n1y
• Telegram channel: https://t.me/xhaji3
• Reference beat "heart" by xhaji: https://www.youtube.com/watch?v=6HKErKir6ZU

Final take

A convincing rexv2 type beat comes down to three decisions: a dark minor loop treated like a sample, an 808 pattern that slides in key and stays mono, and a drum bus clipped loud enough to compete with the vocals this scene records. Build the loop first, arrange in 8-bar blocks, and leave midrange space for the artist. Then respect the license: free for profit covers YouTube and SoundCloud, a lease covers streaming, and a copyright claim without exclusive rights only creates problems. xhaji's channel is a good place to hear how the reference "heart" balances those elements — follow the Instagram page for new beats and contact.

Source: [free for profit] rexv2 + waera + maajins type beat "heart" · Markdown version